Highlights from Sam's past filmography
Dandelions
The culmination of my college work, this is a simple dementia home-set love story about a never-married woman and a sweet old man who forgets he is still married. Shot on a RED camera by my incredibly talented classmate Kaitlyn Krikorian.
FIve second rule
Far from perfect but the best use of my films as “diary cinema,” this piece acts as a tribute to a fleeting friendship I had with a donut shop cashier who struggled with borderline personality disorder and the remnants of childhood trauma.
Emptiness
A collaboration with my friend Sara from Spain, this was experimental in the purest sense of the word, less of a story and more of a mood, particularly what is felt by a positive-minded introvert at a young adult party where melancholic existentialism is cool and childlike optimism is meaningless.
Read lights
All of my films are personal to a certain degree, but this one is definitely one of the most personal, a tale of a perhaps overzealously caring young man who learns why various friends and potential love interests abruptly left his life without giving any explanation. A cathartic experience for sure.
Doubletap dreams
Perhaps my most blatantly anti-social media film other than Double-Tap Daydreams, this human connection drama tells the story of a lonely young woman whose only sense of friendship/validation is obtained through posting sexy photos on Instagram, and of a young man who meets her and feels he needs to show a sexier side of himself to stand out. Not everyone who watches this film will understand it (it’s definitely made for a GenZ audience), but it’s one of my personal favorites.
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